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spiccato

American  
[spi-kah-toh, speek-kah-taw] / spɪˈkɑ toʊ, spikˈkɑ tɔ /

adjective

  1. (of violin music) performed with short, abrupt, rebounding motions of the bow.


spiccato British  
/ spɪˈkɑːtəʊ /

noun

  1. a style of playing a bowed stringed instrument in which the bow bounces lightly off the strings

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

adjective

  1. to be played in this manner

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of spiccato

1840–50; < Italian, equivalent to spicc- (stem of spiccare to detach) + -ato < Latin -ātus -ate 1


Vocabulary lists containing spiccato

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

See Examples For:

This must have been rather a crude form of spiccato.

From The Bow, Its History, Manufacture and Use 'The Strad' Library, No. III. by Henry Saint-George

In light spiccato and staccato the detached notes should be played always with a single stroke of the bow.

From Violin Mastery Talks with Master Violinists and Teachers by Frederick Herman Martens

This question as to what portion of the bow to use for spiccato each violinist must decide for himself, however, through experiment.

From Violin Mastery Talks with Master Violinists and Teachers by Frederick Herman Martens

He readied himself and then poured his heart into playing that tune—he worked it around, swished it a few times, tried some variations, caught the fever, and finished off with a fast spiccato variation.

From Violists by Richard McGowan

In the second part, with some loss of the lilt of dance, is a subtle design—with a running phrase in spiccato strings against a slower upward glide of bassoons.

From Symphonies and Their Meaning; Third Series, Modern Symphonies by Philip H. Goepp

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