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Marriage of Figaro, The

[fig-uh-roh]

noun

  1. Italian Le nozze di Figaroan opera (1786) by Wolfgang Amadeus Mozart.



The Marriage of Figaro

  1. An opera by Wolfgang Amadeus Mozart, in which the servant Figaro outwits his noble master, who is trying to seduce Figaro's fiancée.

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“Comedies like The Marriage of Figaro — especially comedies — were some of the most subversive pieces, and conveyed its messages in a very clever way that often barely escaped censorship.”

From Salon

Nine premieres are planned this year for June through September, including a full-length work by the choreographer Twyla Tharp, and an adaptation of Mozart’s “The Marriage of Figaro” in which the countertenor Anthony Roth Costanzo will sing all of the leading roles.

Career highlights include the company’s first Wagner “Ring” cycle; 2015’s “Figaro Trilogy” featuring John Corigliano’s “The Ghosts of Versailles,” Rossini’s “The Barber of Seville” and Mozart’s “The Marriage of Figaro”; and conducting a performance of “The Anonymous Lover” by Joseph Bologne, Chevalier de Saint-Georges, a prominent Black composer in 18th century France.

Ms. Posvar, known in her professional life as Mildred Miller, was Cherubino in Mozart’s “The Marriage of Figaro” a record-breaking 61 times at the Metropolitan Opera House.

The countertenor Anthony Roth Costanzo performed both parts of a duet from Mozart’s “The Marriage of Figaro,” twirling from stage left to stage right with each character change.

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