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View synonyms for opera

opera

1

[op-er-uh, op-ruh]

noun

  1. an extended dramatic composition, in which all parts are sung to instrumental accompaniment, that usually includes arias, choruses, and recitatives, and that sometimes includes ballet.

  2. the form or branch of musical and dramatic art represented by such compositions.

  3. the score or the words of such a composition.

  4. a performance of one.

    to go to the opera.

  5. (sometimes initial capital letter),  an opera house or resident company.

    the Paris Opera.



opera

2

[oh-per-uh, op-er-uh]

noun

Chiefly Music.
  1. a plural of opus.

opera

1

/ ˈɒprə, ˈɒpərə /

noun

  1. an extended dramatic work in which music constitutes a dominating feature, either consisting of separate recitatives, arias, and choruses, or having a continuous musical structure

  2. the branch of music or drama represented by such works

  3. the score, libretto, etc, of an opera

  4. a theatre where opera is performed

“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

opera

2

/ ˈɒpərə /

noun

  1. a plural of opus

“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

opera

  1. A musical drama that is totally or mostly sung. Aïda , Carmen, and Don Giovanni are some celebrated operas. A light, comic opera is often called an operetta.

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Word History and Origins

Origin of opera1

1635–45; < Italian: work, opera < Latin, plural of opus service, work, a work, opus
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Word History and Origins

Origin of opera1

C17: via Italian from Latin: work, a work, plural of opus work
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Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

No need for movies, the opera, Shakespeare, or Sondheim.

Read more on Wall Street Journal

Like many contemporary operas, “The Amazing Adventures of Kavalier & Clay” by Mason Bates, a commissioned work that opened the Metropolitan Opera season on Sunday evening, walks the line between novelty and tradition without embracing either.

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Some of the opera’s characters become figures from the art; others are gallery employees or visitors.

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As directed by Mr. Villazón, the chorus, which plays a major role in the opera, is not benign: Its goal is to subsume Amina and suppress rebellion.

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She was an opera singer — one of the greatest singers I’ve ever heard in my life.

Read more on Los Angeles Times

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