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Webern
[vey-bern, vey-buh
noun
Anton von 1883–1945, Austrian composer.
Webern
/ ˈveːbərn /
noun
Anton von (ˈantoːn fɔn). 1883–1945, Austrian composer; pupil of Schoenberg, whose twelve-tone technique he adopted. His works include those for chamber ensemble, such as Five Pieces for Orchestra (1911–13)
Example Sentences
Salonen, who gets rivetingly precise playing from the Vienna Philharmonic, joins the two parts of Webern’s quiet, sparse Five Pieces for Orchestra, each tiny fragment singing volumes.
“It is Switzerland, the Riviera, the Vienna Woods, the desert, Salzkammergut, Spain, Italy — everything in one place. And along with that scarcely a day, apparently even in winter, without sun,” he wrote Anton Webern, the Austrian composer and conductor.
Four days before “Gurrelieder,” Piano Spheres, which was founded by pianist and Schoenberg assistant Leonard Stein 30 years ago, opened a tribute program remembering pianist Susan Svrcek and composer Frederick Lesemann with Webern’s eight-hand arrangement for four pianists at two pianos of the opening of “Gurrelieder.”
A scholarly artist, Uchida was intent on testing my musical knowledge, stopping the interview several times to quiz me on the German Renaissance, the invention of musical copyright, Bach’s “St. Matthew Passion” and the deaths of Schubert and Webern.
She began with an incisive reading of Webern’s Six Pieces for Orchestra, keeping her conducting elegantly restrained, even economized — gestures that befitted this sharply angled, brief set.
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