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zarzuela

American  
[zahr-zwey-luh, -zwee-, thahr-thwe-lah, sahr-swe-] / zɑrˈzweɪ lə, -ˈzwi-, θɑrˈθwɛ lɑ, sɑrˈswɛ- /

noun

zarzuelas plural
  1. a Spanish opera having spoken dialogue and often a satirically treated, topical theme.


zarzuela British  
/ zɑːˈzweɪlə /

noun

  1. a type of Spanish vaudeville or operetta, usually satirical in nature

  2. a seafood stew

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Other Word Forms

Inflected Forms

noun

Etymology

Origin of zarzuela

1885–90; < Spanish, after La Zarzuela, palace near Madrid where first performance took place (1629)

Explanation

Zarzuela is a genre of Spanish musical theater that blends singing, spoken dialogue, and dancing. A zarzuela is usually lighthearted and comical, like a story about a mischievous fisherman accidentally starting a village feud over a stolen sardine. A zarzuela is like a vibrant mini opera, or operetta, with a uniquely Spanish flair. It combines popular music and classical music with elements of folk storytelling and dance. Zarzuela originated in 17th-century Spain, where it became a popular form of entertainment for the common, everyday people, focusing on relevant societal and cultural themes. A zarzuela may include political satire and often includes romantic entanglements that resolve happily.

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Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

Even so, I’ve also met Latina grandmothers who look aghast at the mention of zarzuela, remembering being dragged to shows as children by their grandmothers.

From Los Angeles Times • May 6, 2019

How to make zarzuela as contemporary theater is something L.A.

From Los Angeles Times • May 6, 2019

From a modern perspective, though, zarzuela can offer relevance.

From Los Angeles Times • May 6, 2019

Before the first zarzuela based on the Chilean miners is staged, someone should think of putting on Adam Guettel's marvellous man-stuck-in-cave musical Floyd Collins.

From The Guardian • Oct. 16, 2010

The habanera’s strict dotted 3 + 1 pattern was handed down to the Spanish zarzuela, the Cuban danzon, the Brazilian maxixe and the Argentinian and Uruguayan tango.

From "The Story of Music" by Howard Goodall

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