a rumbling noise heard occasionally in some parts of the world, probably caused by seismic activity.
Brontide is an uncommon word, probably formed from the Greek noun brontḗ “thunder” and the suffix -ide, a variant of -id (“offspring of”) occurring originally in loanwords from Greek, and productive in English especially in names of dynasties (e.g., Attalid) and in names of periodic meteor showers, with the base noun usually denoting the constellation in which the shower appears (e.g., Perseid). Brontḗ appears in brontosaurus “thunder lizard” and is from the same Proto-Indo-European root bhrem- (with a variant brem-) “to growl” as Latin fremitus “dull roar,” Old High German breman and Old English bremman, both meaning “to roar,” and Slavic (Polish) brzmieć “to make a sound.” Brontide entered English about 2000.
“What’s a brontide?” she said, keeping him from bolting. … “They’re like thunder on a clear day. They’re like the unexplained sounds of artillery when there’s no battle.”
… he urges that brontides predominate in countries which are subject to earthquakes, that they are often heard as heralds of earthquakes, and are specifically frequent during seismic series, and that brontides are sometimes accompanied by very feeble tremors.
lustful or sensual.
Not many Latin words are as easy to break down into their component parts as concupiscent is. The first element is a variant of the preposition and prefix cum “with,” here used as an intensive prefix (“thoroughly”). The second element is the Latin root cup- “desire.” The third, -isc, is the inceptive (also called inchoative) suffix (“beginning to …”). The final element is -ent, the inflectional stem of the present participle; concupiscent literally means “beginning to strongly desire” or simply “desirous.” Concupiscent entered English in the 14th century.
He looks at Faust’s romance with Gretchen (Camilla Horn) with an agonized tenderness, and at Mephisto’s courtship of the concupiscent Marthe (Yvette Guilbert) with rib-shaking ribaldry.
He’d have bet his Porsche, from that one look, that she had summed him up as one more concupiscent old guy, easily manipulated.
of or relating to the eyelids.
The Latin noun palpebra (also palpebrum) “eyelid” is composed of the verb palpāre “to touch, stroke, caress” and -brum, a suffix forming nouns of instruments, e.g., candēlābrum “a stand for holding several candles, candelabra.” Palpāre derives from a complicated Proto-Indo-European root pāl- (from peǝl-) and its many variants, e.g., pel-, pelǝ-, plē-, etc. “to touch, feel, flutter, float.” A palpebra is “something that flutters (quickly).” The root is also the source of Latin palpitāre “(of a pulse) to beat, pulsate,” pāpiliō “butterfly, moth,” and Old English fēlan “to examine by touch,” English feel. Palpebral entered English in the mid-18th century.
adrift on a gold-brown leather recliner, / the little finger of her left hand tapping / on the crocheted antimacassar, / palpebral twitches of chronic hypnagogia.
In his palpebral vision, she beckoned.
to sulk; mope.
The rare English verb mump is akin to the equally rare Dutch mompen “to mumble, grumble,” and the magnificent German verbs mumpfen “to chew with one’s mouth full” and mimpfeln “to mumble while eating.” The Germanic verbs most likely derive from a Proto-Indo-European root meuǝ- “be silent,” from which English also derives mum “silent,” Latin mūtus “silent, mute,” and Greek mustḗrion “secret rite, mystery,” a derivative of mústēs “an initiate,” a derivative of mueîn “to initiate, instruct, teach,” itself a derivative of múein “to close the eyes, mouth, or other opening” (lest one reveal what is not to be revealed). Mump entered English in the 16th century.
Up, Dullard! It is better service to enjoy a novel than to mump.
Come, my dear fellow, do not spoil the excellent impression you have already made. I am sure to mump and moan is not in you …
to think out; devise; invent.
Excogitate comes from Latin excōgitātus, the past participle of excōgitāre meaning “to devise, invent, think out.” It entered English in the 1520s.
I wouldn’t put the question to you for the world, and expose you to the inconvenience of having to … excogitate an answer.
The average politician knows fully as little or as much about railway management as he does about photographing the moon or applying the solar spectrum; yet, once upon a board of railway commissioners, he is required to excogitate and frame rules for an industry which not only supplies the financial arteries of a continent, but holds the lives as well as the credits of its citizens dependent upon the click of a telegraph or the angle of a semaphore …
deserving respect or admiration; worthy of esteem.
The English adjective estimable comes via French estimable from Latin aestimābilis, a derivative of aestimāre “to value, price, estimate the money value of.” The etymology of aestimāre is unclear, but it may be related to Latin aes (stem aer-) “copper, bronze, brass,” from Proto-Indo-European ayes-, ayos- “metal, copper,” from which Sanskrit derives áyas- “metal, iron,” Gothic aiz “bronze,” German Erz “ore” (the Erzgebirge, “Ore Mountain Range,” lies between Saxony, Germany, and Bohemia, Czech Republic), Old English ār “ore, copper, brass,” and English ore. Estimable entered English in the 15th century.
He is the most estimable, the most trustworthy creature in the world, and I will venture to say, there is not a better seaman in all the merchant service.
Nothing is more typical of Armstrong, or more estimable, than his decision not to go into politics; heaven knows what the blandishments, or the invitations, must have been.
of the color of brick; brick-red.
The very rare adjective lateritious comes from Latin latericius (also lateritius) “made of brick,” a derivative of the noun later “brick, tile, block, ingot.” In English lateritious is used in medicine, biology, and geology to describe the color of urine, sediment, or stone. Lateritious entered English in the 17th century.
He scanned the sooted pillars and lateritious stone, and her spark began to fade for him.
The powders made from this bark are at first of a light brown, tinged with a dusky yellow; and the longer they are kept, the more they incline to a cinnamon or lateritious colour, which he believed was the case with the Peruvian bark and powders.