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Chirography, an expensive word for “handwriting, penmanship,” comes from Greek cheirogaphía “written report, testimony in writing.” The first element, cheiro-, is a combining form of the noun cheír “hand,” which has many dialect forms (chérs, chḗr, chérr-). Cheír comes from the uncommon Proto-Indo-European root ghesor-, ghesr– “hand,” the source of Hittite kessar, Armenian jeṙ-, and Tocharian tsar, all meaning “hand.” The combining form –graphy, naturalized in English, is a derivative of the verb gráphein “to write,” from a Proto-Indo-European root ghrebh-, ghrobh– “to scratch, dig, bury,” the source of English grave (burial place), grub (to dig), and groove. Chirography entered English in the 17th century.
Miss Kate S. Chittenden’s hand is bold, fearless, and masculine, and there are decided indications that her temperament resembles her chirography in these respects.
“Three hours of hand-shaking is not calculated to improve a man’s chirography,” he [Lincoln] said later that evening.
generous in forgiving an insult or injury; free from petty resentfulness or vindictiveness: to be magnanimous toward one's enemies.
Magnanimous comes from the Latin adjective magnanimus “noble in spirit, brave, generous.” Magnanimus is a loan translation of the Greek adjectives megáthymos, megalóthymos “great hearted,” and megalópsychos “generous, high-souled.” Magnanimus was used especially in translations of the Aristotelian term megalópsychos. Magnanimous entered English in the 16th century.
… if he would … discharge his heart of its hoarded bitterness—forgive the world, for having turned his head; and for not keeping it turned, by main force; become a little more magnanimous; and, a little less unhappy and suspicious … I do almost believe that he might do something decent, to be remembered by.
As a master of symbolism, Mandela supported his strategy by being magnanimous towards his former enemies.
Scot. and North England.
merriment; playful behavior; foolishness.
Daffing, “merriment, playfulness,” also “insanity,” is a British dialect word used in northern England and Scotland (the only two writers of note to use the word are the Scotsmen Robert Burns and Robert Louis Stevenson). Daffing is a derivative of the Scottish verb daff “to play, make sport,” from the obsolete noun daff “fool, idiot, coward,” from the Middle English adjective dafte “well-mannered, gentle, humble,” and “uncouth, boorish, dull” (possibly from the sense “humble, good-natured”). Dafte is also the source of daft “senseless, stupid, crazy,” from Old English dæfte, defte “gentle.” Daffing entered English in the 16th century.
“Hoot-toot! hoot-toot!” said Cluny. “It was all daffing; it’s all nonsense.”
He must have had a mind full of variety and wide human sympathy almost Shakespearian, who could step from the musings of Windsor … to the lasses in their gay kritles, and Hob and Raaf with their rustic ” daffing,” as true to the life as the Ayrshire clowns of Burns ….
a collective consciousness, analogous to the behavior of social insects, in which a group of people become aware of their commonality and think and act as a community, sharing their knowledge, thoughts, and resources: the global hive mind that has emerged with sites like Twitter and Facebook.
The meaning of the term hive mind, “a collective consciousness, analogous to the behavior of social insects,” is pretty creepy to most of us. The phrase, appropriately enough, first appeared in Galaxy Science Fiction, an American pulp science fiction magazine, in 1950.
When I searched, I always selected the videos with the most views first. The wisdom of the so-called hive mind would guide me ….
… it also has an exceptionally well-organized reference section, summarizing the conclusions of the hive mind on ingredients, the identification and treatment of certain skin conditions, the best products, and how to build an effective routine with them.
done with or involving much labor.
Operose is a borrowing from the Latin adjective operōsus “busy, active, painstaking, taking or involving much care.” Operōsus is a derivative of the noun opus (stem oper-) “labor, work, a work” and the adjective suffix –ōsus, meaning “full of, abounding in.” Opus comes from an uncommon Proto-Indo-European root op– “to work, produce in quantity.” In Oscan, the most conservative of the Italic languages, the root appears in the verbal adjective úpsannam (in form equivalent to Latin operandam, and both derived from Italic opesandam) “to be built, to be made.” Sanskrit derives the noun ápas “work” from op-, and Avestan the compound hvapah– “good work.” Operose entered English in the 16th century.
In reality no problem can be imagined more operose, than that of decomposing the sounds of words into four and twenty simple elements or letters, and again finding these elements in all other words.
So long as we insist upon approaching them through the operose and roundabout method of dead-language studies, schooldays will flee away, and the object will not be accomplished.
verb (used with object)
to suppress; omit; ignore; pass over.
Elide comes straight from the Latin verb ēlīdere “to strike out, crush, smash,” a compound of the preposition and prefix ē, ē-, a variant of ex, ex-, here indicating deprivation or loss, and the combining form –līdere, from laedere “to wound, injure, damage.” Ēlīdere and elide both have the legal sense “to nullify, invalidate,” and the grammatical or prosodic sense “to omit a vowel or syllable in pronunciation,” as formerly in English th’embattled plain, and in French l’homme, or Italian l’uomo. Laedere has no known etymology. Elide entered English in the 16th century.
These videos slyly elide the long hours that lie between seeing how something is done and knowing how to do it.
They confused her, made her angry, as though the whole middle section of her life—the part where she was supposed to grow to adulthood, bear children, be a young mother, and watch her children grow to adulthood—had simply been elided.
associated with something by chance rather than as an integral part; extrinsic.
Adventitious comes from the Medieval Latin adjective adventītius, from Latin adventīcius “coming from without, from abroad, foreign, external, made or happening by chance, casual.” Adventīcius is a derivative of the verb advenīre “to come to, arrive at, reach” (formed from the preposition and prefix ad, ad– “to, toward” and the simple verb venīre “to come, be on the way, approach”) and the suffix –īcius, used for forming adjectives from the past participle stems of verbs (here, advent– from adventum). The zoological or botanical sense “appearing in an abnormal or unusual position or place, as a root” dates from the second half of the 17th century. Adventitious dates from the early 17th century.
It is not founded on organic strength, the delicate, ennobling mark of a good endowment, of sound blood and a sound character, but is in a curious way something adventitious, accidental, perhaps even usurped or stolen.
This is exhausting, of course, but far less so than the tenor of a normal museum, which groups works by adventitious categories of period and style.