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viol

[vahy-uhl]

noun

  1. a bowed musical instrument, differing from the violin in having deeper ribs, sloping shoulders, a greater number of strings, usually six, and frets: common in the 16th and 17th centuries in various sizes from the treble viol to the bass viol.



viol

/ ˈvaɪəl /

noun

  1. any of a family of stringed musical instruments that preceded the violin family, consisting of a fretted fingerboard, a body rather like that of a violin but having a flat back and six strings, played with a curved bow. They are held between the knees when played and have a quiet yet penetrating tone; they were much played, esp in consorts, in the 16th and 17th centuries

“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012
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Word History and Origins

Origin of viol1

1475–85; < Middle French viole (akin to Old French viel ( l ) e > earlier English viele ) < Old Provençal viola, derivative of violar to play the viola 1 (perhaps imitative)
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Word History and Origins

Origin of viol1

C15: from Old French viole, from Old Provençal viola; see viola 1
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Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

But this sweet and yearning six-minute pavan, written for an ensemble of viols, and the title track on the gorgeous new recording of the Ricercar Consort, bridges centuries.

Read more on Los Angeles Times

MacMillan — like Byrd, a committed Catholic — recently wrote “Ye Sacred Muses” for the King’s Singers and Fretwork, the viol consort.

Read more on New York Times

Enjoy concert pieces by Vivaldi, Handel and Telemann and dance music from the court of King Louis XIV, featuring the baroque cello, viol, theorbo and harpsichord.

Read more on Seattle Times

“I just feel like viol — I feel taken advantage of.”

Read more on New York Times

Setting sail in 1577, he pushed across the Atlantic to Brazil, bellowing psalms into the wind and dining to airs played on viols.

Read more on New York Times

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