Dictionary.com
Thesaurus.com
Synonyms

kettledrum

American  
[ket-l-druhm] / ˈkɛt lˌdrʌm /

noun

  1. a drum consisting of a hollow hemisphere of brass, copper, or fiberglass over which is stretched a skin, the tension of which can be modified by hand screws or foot pedals to vary the pitch.


kettledrum British  
/ ˈkɛtəlˌdrʌm /

noun

  1. a percussion instrument of definite pitch, consisting of a hollow bowl-like hemisphere covered with a skin or membrane, supported on a tripod or stand. The pitch may be adjusted by means of screws or pedals, which alter the tension of the skin

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

kettledrum Cultural  
  1. A drum consisting of a skin stretched over a large shell in the shape of a half-sphere. The pitch of the kettledrum can be changed by manipulating screws at the edge of the skin or pedals at the bottom of the drum. Kettledrums are usually used in classical music in sets of two or more and are known by their Italian name, timpani.


Other Word Forms

  • kettledrummer noun

Etymology

Origin of kettledrum

First recorded in 1595–1605; kettle + drum 1

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

The movement began with loud kettledrums, and the crowd cheered wildly.

From New York Times

The drummer was banging his biggest kettledrum to make it sound like a rumbling cannon.

From Literature

In Berlin, hundreds of workers took to the streets with kettledrums and trumpets to underline their demand for a bigger share of profits from a construction boom that has supported growth in Europe's largest economy.

From Reuters

She describes raucous afternoon teas called “kettledrums” during the Gilded Age, a peculiar and loud practice involving the clinking and exchange of spoons.

From Washington Post

Writing in the Bauhaus Journal, he said that each production required an “appropriate aural expression,” but added, “For the time being, such simple stimulators as the gong and the kettledrum are enough.”

From New York Times