Post-Impressionism

American  

[pohst-im-presh-uh-niz-uhm] / ˌpoʊst ɪmˈprɛʃ əˌnɪz əm /

Or post-impressionism

noun

1. a varied development of Impressionism by a group of painters chiefly between 1880 and 1900 stressing formal structure, as with Cézanne and Seurat, or the expressive possibilities of form and color, as with Van Gogh and Gauguin.

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Other Word Forms

• Post-Impressionist
  adjective
• Post-Impressionistic
  adjective

Etymology

Origin of Post-Impressionism

1905–10; post- + Impressionism ( def. )

Example Sentences

See Examples For:

Post-Impressionism

He dabbled with Fauvism, Austrian Expressionism and Post-Impressionism, but like so many who experiment, these tastes gave way to the hard stuff: Abstract Expressionism and Francis Bacon-inspired figuration.

From The Wall Street Journal ● Jun. 12, 2026

In Cannon’s most powerful works, he brings Modernist styles — most notably Post-Impressionism and Fauvism — to bear on portraits of Native Americans.

From New York Times ● Aug. 8, 2019

It’s difficult enough to suss out the distinction between Post-Impressionism and Symbolism.

From Slate ● Sep. 1, 2015

There is also a pen-and-ink drawing of van Gogh that Giacommeti drew over a text by John Rewald from a page of Mr. Rewald’s 1961 book on Post-Impressionism.

From New York Times ● Oct. 14, 2010

Such people are numbered among the bitterest opponents of Post-Impressionism, and indeed it is difficult to see how they could be otherwise.

From Concerning the Spiritual in Art by Michael Sadleir