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troppo

1

[trop-oh, trawp-paw]

adverb

Music.
  1. too much; excessively.



troppo

2

[trop-oh]

adjective

Australian Slang.
  1. mentally disturbed.

troppo

1

/ ˈtrɒpəʊ /

adverb

  1. music too much; excessively See non troppo

“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

troppo

2

/ ˈtrɒpəʊ /

adjective

  1. slang,  mentally affected by a tropical climate

“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012
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Word History and Origins

Origin of troppo1

From Italian; Old Italian dialect: “much, very,” probably from Old Provençal trop originally, “herd, flock”; troop

Origin of troppo2

First recorded in 1940–45; trop(ic) + -o, originally in reference to the supposed psychological effects of life in tropical climates, especially in military service
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Word History and Origins

Origin of troppo1

Italian
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Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

Io non so s’i’ mi fui qui troppo folle, ch’i’ pur rispuosi lui a questo metro: “Deh, or mi dì: quanto tesoro volle Nostro Segnore in prima da san Pietro ch’ei ponesse le chiavi in sua balìa? Certo non chiese se non “Viemmi retro.”

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Italians might agree that the touch is “un po troppo”; you can use it or lose it.

Read more on Washington Post

Born into genteel poverty, Camillo was made a cardinal by his distant relative, Pope Innocent X — whom Velázquez had also painted, and who reacted to his own portrait with the notorious exclamation “Troppo vero”: “too real.”

Read more on New York Times

Vuole dare il proprio legittimo contributo alle comunità locali e alla più vasta società, e beneficiare delle risorse e dello sviluppo troppo spesso riservati a pochi.

Read more on Time

But there were also moments of great delicacy, as with the evanescent pizzicatos at the end of the symphony’s Vivace non troppo movement, a quintessential Mendelssohn scherzo in all but name.

Read more on New York Times

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