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an abnormal fear of flowers.
Anthophobia, “an abnormal fear of flowers,” is surely one of the odder phobias, as opposed to acrophobia “an abnormal fear of heights” or arachnophobia “an abnormal fear of spiders” or—a good one!—chiroptophobia “an abnormal fear of bats (the flying mammal).” Anthophobia is composed of two Greek nouns: ánthos “flower” and the combining form –phobíā “fear.” Queen Elizabeth I of England (1533-1603) suffered from anthophobia, especially of a fear of roses, which has no technical name. Anthophobia entered English in the 19th century.
And if you dislike the task of summer gardening, you may even be a victim of anthophobia, the fear of flowers, although that’s a rare malady indeed.
Queen Elizabeth I is said to have been terrorized by roses, a subcategory of anthophobia, a generalized fear of flowers.
a hypothetical collection of identical or diverse universes, including our own.
Multiverse, a combination of the common prefix multi– and (uni)verse, nowadays means “a hypothetical collection of identical or diverse universes, ours included,” a sense first suggested in 1952 by the Austrian physicist Erwin Schrödinger (1887–1961). Multiverse, however, was coined by the American psychologist and philosopher William James (1842–1910). Multiverse to James was an alternative to or an opposite of universe and meant “the universe imagined as lacking order, unity, or a single ruling and guiding power.” James used multiverse in a lecture “Is Life Worth Living?” in 1895.
Multiverse proponents advocate the idea that there may exist innumerable other universes, some of them with totally different physics and numbers of spatial dimensions; and that you, I and everything else may exist in countless copies.
Ten days before he died, Stephen Hawking sent one more written insight out into the cosmos—a paper, co-written with physicist Thomas Hertog of the Catholic University of Leuven in Belgium, tackling the problem of a multiverse.
the character defect that causes the downfall of the protagonist of a tragedy; tragic flaw.
In Greek the noun hamartíā means “failure, fault, error (of judgment), guilt, sin.” Hamartia, if familiar at all, will be familiar as the term that the Greek philosopher Aristotle (384–322 b.c.) uses in his Poetics for the personal defect or frailty—the tragic flaw—that brings about the ruin of a prosperous or eminent man who is neither utterly villainous nor totally good, like, for instance, Oedipus. Hamartíā is a derivative of the verb hamartánein “(of a spear) to miss the mark, (in general) to fail in one’s purpose, fall short, go wrong.” Hamartánein with its derivatives and related words, like about 60 percent of Greek vocabulary, has no known etymology. Hamartia entered English in the late 19th century.
Every person was felt to have his or her hamartia—a tragic flaw, or potential for error in judgment that would frequently destroy an otherwise promising career. The most common among these flaws was hubris ….
… his hamartia (“error”) leads to the loss of all that matters to him, as well as to a puncturing of his former worldview.