a timepiece, as a clock or sundial, or a building supporting or containing a timepiece.
There are nearly a score—20!—spellings in Middle English for horologium, and nearly as many in Old French. Horologium comes from the Latin noun hōrologium “an instrument for showing the time, a dial, sundial, hourglass, clock, clepsydra (water clock).” Hōrologium is a Latin borrowing of Greek hōrológion with the same meaning. Greek hōrológion is a compound of hōrológos “teller of time” and the diminutive noun suffix -ion. Hōrológos is a compound of hṓra “year, season, hour, time, time of day, the right time, time of ripening or florescence,” which was taken into Latin wholesale as hōra with all its meanings (hour comes into English via Old French from Latin). The element or word logos “word, speech, account, computation, reason” is very familiar in English as the suffix –logy, as in philology, theology, paleontology. Horologium entered English in the second half of the 14th century.
In this Horologium moves the hand or arrow towards the twenty-four, and to the right of the twenty-four it was yesterday, and to the left, today.
It appears this horologium was an elaborate piece of mechanism furnished with many painted images, which no doubt performed curious evolutions.
fine; completely satisfactory; OK.
Copacetic first appears in the generation before World War II, in 1919 to be exact. It is a thoroughly American piece of slang, and all the citations of the word come from American writers. Perhaps foreigners avoided copacetic because of all its variant spellings, which include copa, copasetic, copasetty, copesette(e), copissettic, copus, kopacetic, kopasetic, kopasetee…. Many slang terms have no reliable etymology, and copacetic is within that happy group. Some of the more fanciful, not to say outrageous or just plain nutty etymologies for copacetic include; 1) Chinook jargon copasenee “everything is satisfactory (along the waterways of Washington State)”; 2) the excruciating phrase “the cop is on the settee” (i.e., he’s not paying attention), which transmogrified into copacetic and was supposedly used by American gangsters; or 3) an Italian word, but unknown in standard Italian or in any of its many dialects. Bill “Bojangles” Robinson claimed to have coined copacetic (not likely), but he did popularize copacetic in his vaudeville acts, radio programs, and movies he made with Shirley Temple in the 1930s.
The United States of the 1960s experienced many social upheavals. But in one realm, all was copacetic.
If he signed a paper saying he wouldn’t make any speeches, everything would be copacetic.
hearty or keen enjoyment, as in eating or drinking, or in action or speech in general: to dance with gusto.
Gusto comes from the Italian noun gusto “taste, flavor,” from Latin gustus “tasting, flavor, sense of taste.” Gustus is also the source of Spanish and Portuguese gosto and French goût, all meaning “taste, flavor, relish.” The main current sense of gusto, “keen enjoyment,” first appeared in 1629 but only started to become very common in the early 19th century.
She ate with gusto, sending particles of egg flying onto the table as she spoke.
Anna could hear her father singing with gusto.
a self-styled authority on language usage.
A true expert on language usage will know that using usageaster “a self-styled authority on language usage” is not meant kindly. For instance: “The reader was no more than a usageaster; he insisted on corrections that were merely a matter of style, not grammar.” Usageaster is composed of usage and the -aster, which is a “diminutive or pejorative suffix denoting something that imperfectly resembles or mimics the true thing.” This suffix, derived from Latin, can also be found in such words as poetaster “an inferior poet” and criticaster “incompetent critic.”
We can help such people overcome their insecurity by making a clear distinction between usageasters and usage experts.
… a usageaster pretends to know about questions of usage in language.
something a person does in addition to a principal occupation, especially for pleasure; hobby: Our doctor's avocation is painting.
Avocation derives from Latin āvocātiō, which literally means “a calling away” but has the sense of “distraction.” Āvocātiō is formed on the verb āvocāre “to call away; divert; distract; amuse,” composed of the prefix ā– “away from” and vocāre “to call,” source of English vocation. A person’s hobby or leisure pursuit is called an avocation, etymologically speaking, because it “calls away” that person from their main work—their vocation, or “calling.” Starting in the 1600s, however, avocation was used as a synonym for vocation, apparently on the thinking that a person’s side work can be or become as important as their regular occupation. Avocation entered English in the early 1500s.
So they signed up for a second shift, an avocation that earns them psychic income in the currencies of artistry, adventure and passion.
Her three avocations—gardening, current events, and photography—were, like her writing, deeply informed by a desire to secure fragile moments as objects of art.
verb (used with object)
to argue about; debate; discuss.
A controvert is not some kind of hybrid of an introvert and extrovert. It is actually a verb that means “to argue about; debate; discuss” and “argue against; deny; oppose.” Controvert does share a root, however, with introvert and extrovert: Latin vertere “to turn.” Controvert is based on Latin contrōversus “debatable, disputed”—that is, controversial, another derivative of contrōversus. Contrōversus is composed of a variant of contrā “against” and versus, past participle of vertere “to turn, turn around, spin.” (An introvert is literally someone “turned within” and an extrovert, someone “turned outside.”) Controvert entered English by the early 1600s.
It seemed as if his first instinct on hearing a proposition was to controvert it, so impatient was he of the limitations of our daily thought.
It seems natural to suppose—though many scholars controvert it—that Book I of the Republic was originally written as a separate book …
extravagantly enthusiastic; ecstatic.
Not everyone may get “extravagantly enthusiastic or ecstatic” about word origins, but they are key to understanding the development of the word rhapsodic. Rhapsodic is an adjective form of rhapsody, which historically refers to an epic poem, or part of such a poem, such as a book of Homer’s Iliad, that can be recited at one time. Rhapsody ultimately derives from Greek rhapsōidía “recital of epic poetry.” Such recitals tended to be done with intense expression and feeling, leading to the English sense of rhapsodic. In music, a rhapsody is “an instrumental composition irregular in form and suggestive of improvisation,” such as George Gershwin’s truly rhapsodic 1924 opus, Rhapsody in Blue. Rhapsodic entered English in the mid-1700s.
When I mentioned the Betty Crocker book to David Kamp … it didn’t seem to inspire the rhapsodic response I was hoping for.
… he can now tell you about the rhapsodic joy of a perfect day out at his home break with his boys as well as the spiritual fulfillment he felt from chasing waves around the planet as a surf bohemian inspired by Jack Kerouac.