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subtractive

American  
[suhb-trak-tiv] / səbˈtræk tɪv /

adjective

  1. tending to subtract; having power to subtract.

  2. Mathematics. (of a quantity) that is to be subtracted; having the minus sign (−).


subtractive British  
/ səbˈtræktɪv /

adjective

  1. able or tending to remove or subtract

  2. indicating or requiring subtraction; having a minus sign

    –x is a subtractive quantity

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

subtractive Scientific  
/ səb-trăktĭv /
  1. Relating to the production of color by the blocking or removal of varying wavelengths, as with colored filters, or by the mixing of pigments that absorb certain wavelengths and reflect others.

  2. ◆ The subtractive primaries cyan, magenta, and yellow are those colors whose wavelengths can be filtered or absorbed in different proportions to produce all other colors.

  3. Compare additive See Note at color

  4. Marked by or involving subtraction.


Other Word Forms

Etymology

Origin of subtractive

First recorded in 1680–90; subtract + -ive

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

See Examples For:

While many artists at Felix experiment with their surfaces through additive processes, others use a subtractive approach to enliven their work.

From The Wall Street Journal Feb. 26, 2026

Traditional methods of wood shaping are subtractive and tend to produce large amounts of waste, which is usually discarded or recycled into materials like fuel, mulch, and animal bedding.

From Science Magazine Mar. 21, 2024

It’s a subtractive primary color, which means it never really gets its due.

From Seattle Times Dec. 2, 2022

One of the more peculiar features of Morris’ art is that her compositions feel subtractive rather than additive.

From Los Angeles Times Nov. 19, 2022

It is a subtractive process that starts with a solid block, usually stone, which is highly resistant to the sculptor’s chisel.

From "History of Art, Volume 1" by H.W. Janson

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