the lack of individual creativity, or of a sense of personal responsibility, that is sometimes characteristic of group interaction.
Groupthink is a disparaging term modeled on doublethink “the mental ability to believe simultaneously two contradictory things,” appearing in 1984, by George Orwell (1903–50). Groupthink entered English in the early 1950s.
Lately, as scientists try, and fail, to reproduce results, all of science is taking a hard look at funding biases, statistical shenanigans and groupthink.
You don’t need to do many focus groups to see groupthink in action.
the false ascription of a piece of writing to an author.
The noun pseudepigraphy comes from Late Latin pseudepigrapha, a neuter plural adjective (from pseudepigraphus) used as a noun meaning “books or writings falsely titled or attributed to Hebrew writings supposedly composed by biblical patriarchs and prophets.” Pseudepigrapha was borrowed unchanged from the Greek compound adjective pseudepígrapha (from pseudepígraphos), composed of pseudḗs “false” and the Greek combining form –grapha, neuter plural of –graphos “drawn or written.” Pseudepigraphy entered English in the 19th century.
If de León was the author, his exercise in pseudepigraphy was among the most successful in history.
Even this gimmick exactly parallels the ancient scriptural practice of pseudepigraphy whereby a later, undistinguished writer, would hide behind the name of a greater figure of the past, claiming venerable authority for his own innovations.
a sudden, passing sensation of excitement; a shudder of emotion; thrill: The movie offers the viewer the occasional frisson of seeing a character in mortal danger.
Frisson is still unnaturalized in English, as its pronunciation shows. In French frisson means “shudder, shiver.” Frisson comes from Old French friçons, a plural noun meaning “trembling (as before the onset of a fever).” Friçons in turn comes from Latin frictiōn-, the stem of frictiō, an irregular derivative (as if from the verb fricāre “to rub,” with a short i) of the verb frīgēre (with a long i) “to be cold, lack vigor.” Frisson entered English in the 18th century.
Musical passages that include unexpected harmonies, sudden changes in volume, or the moving entrance of a soloist are particularly common triggers for frisson because they violate listeners’ expectations in a positive way …
That first dinner triggers hope, a frisson of discovery.