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terpsichorean

[turp-si-kuh-ree-uhn, turp-si-kawr-ee-uhn, -kohr-]

adjective

pertaining to dancing.

Explanation

The adjective terpsichorean “pertaining to dancing” is a derivative of the proper name Terpsichore, the muse of dancing and song, especially of dramatic choruses. Terpsichore comes from Greek TerpsichĂłrē, a noun use of the feminine adjective terpsĂ­choros “delighting in dancing.” The element terpsi- comes from the verb tĂ©rpein (also tĂ©rpesthai) “to delight, gladden, cheer”; the second element, -choros, is a combining form of the noun chorĂłs “a round dance, dancing floor, band of dancers, choir.” The etymology of chorĂłs is uncertain: it may come from a Proto-Indo-European root gher-, ghor- “to enclose”; if so, the original meaning of chorĂłs would be “an enclosed space (for dancing).” The root gher-, ghor- is also the source of Greek chĂłrtos “enclosure, court,” Latin hortus “garden” (English horticulture), Sanskrit gáč›hĂĄ- “house, dwelling place,” Proto-Slavic gordĆ­ “castle, fortress, town,” source of Russian gĂłrod “city, town” (cf. NĂłvgorod “New Town”), Old Church Slavonic and South Slavic grad, as in Russian Stalingrad, Serbo-Croatian Beograd “Belgrade, White City.” Terpsichorean entered English in the first half of the 19th century.

billow

[bil-oh]

verb

to swell out, puff up, etc., as by the action of wind.

Explanation

The noun billow, “a great wave or surge of the sea,” appears nearly 45 years before its derivative verb billow “to swell out, puff up, as by wind.” Billow appears in print pretty late in English, just after the middle of the 16th century, but it most likely comes from Old Norse bylgja “a billow,” from the Proto-Germanic root balg-, bulg- “to swell.” The root variant bulg- is the source of the Proto-Germanic noun bulgjan, the source of Old Norse bylgja. The root variant balg- forms the Proto-Germanic noun balgiz, source of Old English belg “bag.” Belg becomes beli in Middle English, and belly in modern English. Belgas, the plural of Old English belg, becomes belowes in Middle English, and bellows in modern English.

fiddlesticks

[fid-l-stiks]

interjection

(used to express impatience, dismissal, etc.)

Explanation

Fiddlesticks originally was the plural of fiddlestick, “the bow used to play a violin or fiddle,” which dates to the first half of the 15th century. By the second half of the 18th century, the phrase fiddlestick’s end meant “nothing” (a fiddlestick ends in a point); fiddlestick’s end, reduced also to fiddlestick and fiddlesticks, was used as an expression of mild annoyance or dismissal.

dissilient

[dih-sil-ee-uhnt]

adjective

bursting apart; bursting open.

Explanation

Dissilient, “bursting apart or open,” is primarily a botanical term referring to ripe pods or capsules of some plants bursting apart. Dissilient comes from Latin dissiliēns (inflectional stem dissilient-), the present participle of dissilīre, “to leap apart,” a compound of the prefix dis- “apart, asunder, away” and -silīre, a derivative of the simple verb salīre “to leap, jump, spurt.” Dissilient entered English in the second half of the 17th century.

picaresque

[pik-uh-resk]

adjective

of, relating to, or resembling rogues.

Explanation

The English adjective picaresque, “pertaining to or resembling rogues,” is modeled on Spanish picaresco “pertaining to or resembling a pĂ­caro” (i.e., a rogue or vagabond), which first appears in print in Spanish in 1569. Picaresque in the sense “pertaining to a kind of narrative fiction” first appears in print in English in 1810; Spanish picaresco in the same sense appears in 1836. The etymology of pĂ­caro is contested: it may come from the verb picar “to prick, pierce,” from Vulgar Latin piccāre, and be related to Latin pÄ«cus “woodpecker.” PĂ­caro first appears in print in Spanish in the first half of the 16th century in the phrase pĂ­caro de cozina “kitchen knave”; it was not a literary term. PĂ­caro in the sense “hero of a genre of novel” first appears in English in the first half of the 17th century.